Jemima Kambou is an Ivorian filmmaker who works in documentary film. Her latest film, Aux pays des danses, was shown at the Cannes Film Festival. Jemima sat down with Right for Education to discuss her projects and her work. R:Ed: Could you tell us a little bit about yourself
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Tagged as: fiction
IN CONVERSATION WITH KOLOINA ANDRIAMANANTSOA, A MALAGASY FILMMAKER
Koloina Andriamanantsoa is a Malagasy Filmmaker whose work has been shown at the Cannes Film Festival. She sat down with Right for Education to talk about her work and her latest film ConfidentiElles. R:Ed: Can you tell us a little bit about yourself? Well to start with, I don’t
IN CONVERSATION WITH IBRAHIMA BARRY, A SENEGALESE FILMMAKER
Ibrahima Barry is a Senegalese filmmaker whose work has been shown at the Cannes Film Festival. He sat down with Right for Education to talk about his work and his latest film Diembering: terre en péril (Diembering: Endangered Land) R:Ed: Could you tell us a little bit about yourself
IN CONVERSATION WITH AWA GUEYE, A SENEGALESE FILMMAKER
Awa Gueye is a Senegalese filmmaker whose work has been shown at the Cannes Film Festival. She sat down with Right for Education to talk about her work and relationship with cinema. R:Ed: Could you tell us a bit about yourself and your work? My name is Awa
IN CONVERSATION WITH UREN MAKUT, A NIGERIAN DOCUMENTARY FILMMAKER
Uren Makut is a Nigerian documentary filmmaker whose work tackles the social and cultural issues in her home country. Ahead of the release of her new documentary, Justice for Daffo, Right for Education Africa sat down with Uren to discuss her work and why personal stories have always been at
IN CONVERSATION WITH JOAN RISPA, A KENYAN FILMMAKER
Joan Rispa is a Kenyan filmmaker working in both fiction and documentaries. Her films have received acclaim and numerous awards, tackling complex personal subjects and social causes. Joan sat down with Right for Education to discuss her work and views on cinema in Africa. R:Ed: Why do you make
Who Should Write African Fiction?
In her talk on ‘The Danger of the Single Story’, Chimamanda Ngozi Adiche indicated that current literature presented only one image of Africa. This Africa was always rural, impoverished, and riddled with AIDS. Novels did not depict the vibrant and diverse Africa that she knew. Growing up in America, Adiche